This is the High Altar of the GODDESS ISHTAR of Babylon,
Ishtar |
She descended the 7 planes
from the Stars to the last level, the Earth,
to rescue her lover,
TAMMUZ,
Shepherd of the Starry Flocks
The 7 stages are shown
from the White Angel with wings,
A mirror showing Ishtar, Ishtar & Tammuz together in a statuette,
A silk frontal with a painting of the Goddess
(by Olivia Robertson)
And finally the Offspring of Ishtar & Tammuz
as a STAR CHILD
with
A Moon and A White Cat
representing all creatures born of Ishtar
as
Lady of 15 (The Moon)
& of the 8 pointed Star VENUS,
Which is in the heart of all beings.
….
Lady Olivia says:
“I would like to share a psychic experience I was given
on Wed 27th April, 2011,
which inspired me to paint the STAR CHILD”
“While lying in bed at 6 am, I found myself standing before the Ishtar Altar. I was puzzled because a shining figure made of pure white light was blocking my view of the Altar frontal, of my painting of the Winged Goddess.
The figure was that of a child – I could not determine the gender.
I believe the child represents the Star Children from beyond our earth who are incarnating at present.
However, all of us, old and young are born of the Goddess, so we may share this gentle coming with equality, happiness and love.”
Also in the Chapel of the Stars…
ALTAR OF THE GODDESS TARA
Tara |
Star of the Mountain
Again we have stages of incarnation.
Above is the Winged Isis.
Below is the painting of the Goddess made of White Light
who came to Olivia Robertson,
Then below that a large painted medallion
of
TARA laughing, by Olivia Robertson,
with an unexpected blackbird
by her white wing.
Sharing her liveliness is a large blue dolphin,
splashing on the Altar.
The frontal shows a Tara Hill with stars.
Her hills are all over the earth.
The DOLMEN
is Her Star Doorway.
Amaterasu |
THE ALTAR OF AQUARIUS
Dedicated to AMATERASU NO KAMI,
SUN GODDESS OF JAPAN
Altar furnishings designed by William Morris in the 19th Century
With gold-leaf ‘fleur-de-lys’.
A Sun disc with Japanese face, represents the Goddess
and another in gold below this is of
UZUMI
who drew Amaterasu out of Her cave
to shine again by her dancing,
thus founding Nō Plays
The cloth frontal of 3 Japanese Muses
was brought back by Olivia Robertson from Japan.
To the left is
A Japanese fox fairy,
represented by an Art Nouveau face & cloth
Illustrating ‘fin-de-siècle’ Japanese influence in French art.
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